Inside Ziba Design’s new headquarters

August 19th, 2009

Take a look into the world of internationally renownd Industrial Design firm ‘Ziba Design’. Their new headquarters.

42,000 sq ft
Parking for 60 bikes
200+ seating auditorium
16 project rooms
Outdoor areas

That space, founder Sohrab Vossoughi explains, serves several functions: once rented, the retail will help offset the considerable expense of construction; it encompasses some portions of the headquarters that would be less practical on higher floors, like the model shop and parking space for 60 bicycles; and it elevates studios and project rooms full of confidential material out of easy view. This “box on a plinth” construction has already been explored by Portland’s giddy architecture press, and the effect is oddly charming: a sparse, airy box whose presence has been literally jacked up. The moment of the building’s unveiling, too, adds to the impression of loftiness and improbability: at a time when design consultancies across the globe are shedding staff and costs, the construction of anything grander than a shack imparts a sense of optimism bordering on foolhardiness.

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VIA: core77.com

Dean Kamen Unplugged

August 14th, 2009

Segway inventor Dean Kamen- that’s Lord Dumpling to you-has taken his private island off the grid. He replaced every light bulb on the island with LEDs as part of a larger effort to advertise zero net energy living. He and his lighting guru, on loan from Philips Color Kinetics, took Spectrum’s Sally Adee on a tour of the nuts and bolts of the operation, including the solar and wind energy generation, the Stirling engine backup generator, and the systems engineering that makes it all work together.

VIA: IEEE Spectrum

Asknature.org – Allowing nature to influence your next design

August 8th, 2009

nature inspiring design

Imagine 3.8 billion years of design brilliance available for free, at the moment of creation, to any sustainability innovator in the world.

Imagine nature’s most elegant ideas organized by design and engineering function, so you can enter “filter salt from water” and see how mangroves, penguins, and shorebirds desalinate without fossil fuels.

Now imagine you can meet the people who have studied these organisms, and together you can create the next great bio-inspired solution.

That’s the idea behind AskNature, the online inspiration source for the biomimicry community. Think of it as your home habitat—whether you’re a biologist who wants to share what you know about an amazing organism, or a designer, architect, engineer, or chemist looking for planet-friendly solutions. AskNature is where biology and design cross-pollinate, so bio-inspired breakthroughs can be born.

Picture 2

Biomimicry (from bios, meaning life, and mimesis, meaning to imitate) is a design discipline that seeks sustainable solutions by emulating nature’s time-tested patterns and strategies, e.g., a solar cell inspired by a leaf. The core idea is that Nature, imaginative by necessity, has already solved many of the problems we are grappling with: energy, food production, climate control, non-toxic chemistry, transportation, packaging, and a whole lot more.

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VIA: asknature.org

Want True Sustainability? Then Design to Seduce!

August 6th, 2009

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Sustainable design is a hot topic. While most people applaud the idea of designers using ecofriendly materials, others insist that that’s missing the point–that by designing for mass consumption, designers are still part of the problem, not the solution. I disagree.

The Designers Accord, the global initiative that unites designers, engineers, educators and others around the idea of incorporating sustainability into all practices and production, is a remarkable achievement. Yet, before I signed on, I wanted to have a talk with Valerie Casey, the founder of the movement.

I told her that it bothers me that almost invariably, sustainability is framed as an ‘anti’ movement. It mostly tells us what not to do. While that’s often right, I would add a caveat. For true sustainability, we need to make a more profound culture change–one that involves more than the right standards, specs, or agreements. We should harken back to design in its classical sense, in which an object is so beautiful or functional or otherwise pleasing that it elicits an emotional reaction.

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VIA: fastcompany.com

DIY rotational moulding machine

August 3rd, 2009

DIY rotational molding machine

This rotational moulding machine built from scrap materials in the D.I.Y. style

Design students Andrew Duffy, Craig Tyler and Edward Harrison from the university of rochester constructed a minature rotational moulding machine.

The D.I.Y rotation moulding machine was built to replicate the industrial process to help further understand its possibilities. It was built at no cost from scrap materials and simply powered by a cordless drill. With the use of cold setting bio resins, hollow plastic products are created.

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VIA: designboom.com

Where Have All the Colors Gone? Or, Why We’re Now Living in a Spineless, Black and White World.

August 2nd, 2009

colourful phone

BY GADI AMIT

Ever wondered why the only colors many industries now offer you are black, white, silver, or gray? I love colors and it strikes me as odd how colors have been tuned out of so many products.

While some colors are seasonal and faddish, others are perennials; a good color may last centuries, even if its use is up some decades, and down others. Colors capture our cultural subconscious and stay there for a long time. But somehow we’re now in a boring, monochromatic world.

To industry, colors are a headache. They are tough to manufacture with consistency, hard to predict based on issues of taste, and always leave someone unsatisfied or worse, blogging furiously about “that hideous color.”

The ’90s were more colorful age, while the ’00s somehow dwindled into a colorless abyss. I remember attending a focus group for Acer in 1996. frogdesign helped Acer introduce the Aspire, then a blockbuster PC that came in color… the first colorful PC.

The focus group was an educational experience like no other. Thirty or forty adults from the Bay area were asked about colors and reacted freely. When they were asked in private about their color preferences for the new product line, they made clear and often bold decisions. However, when asked as a group to pick their favorite color of the current year’s PC, they unanimously picked slate–the designers’ euphemism for dark gray.

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VIA: fastcompany.com

Hartmut Esslinger’s Amazing Apple Mac Prototypes

July 28th, 2009

Hartmut Esslinger prototypes

It’s well known that Steve Jobs collaborated with frog design, which was founded by Hartmut Esslinger, to create the “Snow-White” design language for Apple Macintosh computers in the early 1980s. “We worked closely with Steve Jobs and Apple’s developers to innovate computer usability and appearance, resulting in iconic products with no historic precedent,” writes Esslinger, in his new book A Fine Line: How Design Strategies Are Shaping the Future of Business. (Stay tuned for more about this book in the days ahead.)

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VIA: fastcompany.com

Encouraging Innovation through Strategic Intellectual Property Management in the Philippines

July 28th, 2009

Introduction

For quite some time now, the national government has been implementing programs for SMEs. Several years ago the various programs of different government agencies were brought under one comprehensive umbrella program for SMEs. It was called “Sulong.”

The services that the government offered to SMES ranged from product development to training to financing to marketing. The different attached agencies of DTI, along with other government agencies and financial institutions, established a network to provide coordinated services for SMEs. This network and mechanism included our trade or commercial attaches around the world who served as marketing people or scouts for suppliers of materials.

What was then thought of as a comprehensive SME development program actually missed one vital component: an incentive that would encourage innovation and reward creativity.

Creativity and Innovation

The entrepreneur, for sure, values creativi’ty and innovation; but, it seems that it is often taken for granted. It’s just part of everyday living like having a mobile phone, when ten years ago we were all fine without one.

The individual artist who will labor for weeks over the canvass, or days over a paragraph, knows explicitly that creativity is his handmaiden, that, in a way, he must create something out of nothing. The ideas he expresses are his capital, and he knows that. So he doesn’t sell his product based on the cost of paper, pens, brushes and his labor plus a little profit. He tries to put a value on his ideas that started it all. As a famous artist once said that the most difficult thing to paint is a rose because you must forget all the other roses you have seen before.” His originality and creativity is what makes him and distinguishes him as an artist. This is his Intellectual capital, specifically, intellectual property.

Entrepreneurs, on the other hand, are engaged in many things at the same time: developing a product, finding suppliers and buyers, finding investors and financing; in other words, she is managing a business. Sometimes, the creative aspect of her work – a faster process, a new design, an improved machine or tool she or an employee made up; a new name and logo for a new product – is taken for granted. It’s just part of the everyday pace of running a business and turning a profit.

Only when she sees the same product she developed or her design being sold with a different name and brand, or after many years of building up goodwill on her name and mark she sees another product bearing her name and mark, does she realize that someone else is harvesting what she sowed. Then she realizes the value of her brand, her trademark. By then, it could be too late.

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VIA: mb.com.ph

GE Introduces Green Gizmo Home

July 19th, 2009

GE Net Zero Energy Home

They call it the Net-Zero Energy home. It has ground source heat pumps (promising a 30% reduction in energy use), photovoltaic arrays, supplementary wind power, high efficiency appliances and battery storage, all talking to each other through a Home Energy Manager.

That’s a lot of impressive technology. But are green gizmos the best way to achieve net zero energy?

GE says that the net-zero energy house will cost 10% more than a conventional house. That’s a lot of money; if people would pay that much for extra insulation and better windows they would probably save 30% of their energy costs without fancy heat pumps. But they won’t, and when builders offered it, few took them up on it.

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VIA: treehugger.com

Scott Robertson Interview

July 13th, 2009

Scott Robertson

Scott Robertson is a big hitter in the design world. He know what he wants and he gets what he wants. He has carved out a solid career for himself as a respected product designer, lecturer, author, publisher and even computer games developer – and that’s just for starters. This man is driven.

However don’t mistake this go-getter attitude for arrogance. The fact is you’d be hard pushed to find a more modest person. This is someone who’s got where he is today because of pure passion for design – Something that has never wilted in his 40 years on this planet.

Below is an image and small exert of Scotts from the book ‘Concept Design 2‘:

Scott Robertson - Launch Crane

“This was a really fun piece to do because it came together so easily. A value sketch was done first, by compositing some photographs I had taken of various things, none of which could be identified by the time I had collaged them together in Photoshop. I looked at the collage for some time and found what I thought could be an interesting composition, then I went into roughing out the forms. Since I started with the collage, I already had a hint of depth due to atmospheric perspective. I simply tried to find the shapes that were already in the piece.”

Concept Design 2 provides insight into the design process of some of the worlds top designers and is filled with glorious colour prints of their work. It is an indispensable addition to the library of anyone who appreciates entertainment design. Concept Design 2 will take you on an imaginative and personal journey throughout the minds of 24 world renowned and fabulously skilled artists.

Download the interview PDF …

VIA: designstudiopress.com